Meet the Team : Bodypaint Assistant Erica Etcetera Interview

Help Wanted:

Painter needed – and not to help paint walls! New York artist is looking for painting assistant to join her team. The ideal candidate should be comfortable with the human body and have experience painting live models. Candidates will have the ability to remain steady under pressure and be accepting of nude bodies, thongs and pasties. You will be painting directly on human bodies. No need to apply if you are awkward around other people’s nipples.

Chances are if I ran that ad, I may not get any responses, but if I did, the one reply would probably come from Erica Etcetera.

Erica joined our team as a body paint assistant two years ago. While she is a talented makeup artist and body painter, she also has a bit of a wild streak. Erica is unafraid. She tackles all types of projects without fear and is always up for a challenge.

One of her favorite projects include the Harper's Bazaar shoot we did in October 2018 that featured not just models, but all women, including photographers, editors and makeup artists. Another choice assignment was painting female models to look like statues placed in Central Park.

Erica just rolls with the punches and never acts surprised by anything we ask her to do. We traveled for a project in Los Angeles last year and I think she was one of the first ones packed and ready to go. She’s a world traveler, having grown up in Virginia and London.

It’s easy to tell that Erica been an artist her entire life. She has a great sense of color and an enormous amount of creativity. She never ceases to amaze even if she didn’t really set out to be a body painter.

Erica said she was always attracted to fine art, drawing and painting mostly. But ever since her 12th birthday, her attention turned to makeup. It wasn’t until after she earned her BFA in Painting & Drawing and Art History from James Madison University that people started asking her why she wasn’t a makeup artist. After hearing that for the millionth time, she decided to merge her world of paint and body paint.

I met Erica at her makeup graduation from MAKE UP FOR EVER Academy in SoHo, NYC. Her final was a head-to-toe body painting and I was so impressed with her work and the manner in which she went about it that I went right up to her after and the graduation and said, “Hey, I think you'd be a really great addition to my team!”

Erica is a wonderful addition to our team. I love her outlook on life. In a YouTube video we recently made, she said that one of her favorite things about humans is how contradictory we are.

“So, I really love body painting because it is both amazing because it's both so public and intimate at the same time,” she said.

That unique perspective is why we are thrilled to have Erica on our team!

Empowering Women in the Age of Donald Trump: Video

Meet Trina Merry, with over 12 thousand Instagram followers, the New York based artist is highlighting the problems within femininity and gender equality at a time when President Trump has made so many Americans feel invisible. Trina’s latest series in New York aims to face these issues head on, using bodypainting to create a simple yet powerful statement that contrasts landscapes of power with human reality.

Right outside Trump Tower itself, Trina’s boldest project in the series featured two nude, female models as she once again created new images in the framework of something much greater, this time exploring femininity within the context of Trump Tower and everything it stands for.

Captivating and discreetly bold, Trina’s artwork blends in to stand out.

Camouflaging her two models using Trump Tower as their backdrop, Trina’s Fifth Avenue piece was a reaction to the meeting between President Trump and Russian President Vladimir Putin. What started as artwork showcasing gender equality through the top free act and questions surrounding women’s rights, transformed into something much greater and posed the question to Trump - Are Americans invisible to you?

Each of Trina’s female models stood nude and proud as she covered the front of their bodies in red paint - a deliberate nod to Trump’s Republican stance. Their chests read the hashtag #AreWeInvisible, highlighting so many unanswered questions about women, Americans as a whole and democracy. On their backs, Trina replicated the physical view of Trump Tower, as her models gradually became camouflaged within the setting and their bodies became part of the structure. In light of Trump’s troublesome past with the female body, Trina’s body painting showed two striking messages - the invisibility of felt by many and the demand for answers.

“A lot of people came up and took pictures of what we were doing and really wanted to engage with us on social media”

One thing’s for sure, Trina’s message and her models were not invisible that afternoon. Her amazing artwork caught the attention of passersby and sparked conversations about her intervention. This reaction continued on social media where people discussed their opinions about Trump and Putin.

Trina believes that while she has the ability to express herself, it’s important to not stand down and take action over what’s currently happening in America. The unconventional medium of her artwork places emphasis on the problematic and often overlooked issues surrounding not just gender, but power, control and the right to have a voice in America. In her series, women are opposing landmarks of power around New York City, juxtaposing the hard lines of the architecture and what these buildings represent, with the soft curves of the female body and the interesting dialogue these buildings create for us.

You can keep up to date with Trina’s latest projects by following her on Instagram @trinamerryart where you can get involved in the conversation and see more of her masterful bodypainting around the world.

 

What's the Best Kind of Bodypaint for Sensitive Skin? (Q&A video)

If you’ve ever been curious about the art of bodypainting and what goes into it, this interview with Trina Merry, an accomplished New York City artist, will answer some of your questions. 

What is technically the most challenging aspect of bodypainting?

I mean when I'm doing my camouflage body paintings outside.  Definitely time is the hardest aspect of what I have to deal with as well as things like changing light, environmental factors like weather or other people. Technically the hardest aspect about body painting is that you're painting on a person and that person can be fidgety, they can be ticklish, they can need to use the bathroom, they can sweat, they could have not eaten or drank too much alcohol the night before and you have to sort of babysit them. When you just want to paint. So I think working in community is.. can be challenging sometimes but it's so richly rewarding and I love that every piece of artwork that we make has a heartbeat and a twinkle in the eye. So I think that the technical difficulties that we sometimes have to encounter in a human being is 100% worth it.

How long does it take you to bodypaint?

It takes me anywhere between one and three hours to do the camouflage style body painting. So really fast at those and then human sculptures can take anywhere from two hours to 18 hours. The longest body painting I'd ever did was the yellow human sport bike and that took me about 18 hours to accomplish. So it really varies wildly.

What’s the best kind of bodypaint for sensitive skin?

So for sensitive skin I definitely recommend the hypoallergenic water-based body paint and then I recommend testing for any allergies. So you could just take the inside of your wrist have your painter do some different paint tests on you and within 15 minutes usually you'll know.  I definitely recommend that you stay away from any metallic paints like any metallic powders or anything like that because I find that people even with regular skin are breaking out in rashes with it. So stick to hypoallergenic water-based body paints and you should be okay but again do a test just to make sure. Well that's all the questions we got this week. Do you have a question about body paint that you would like answered?  Leave it below in the comments and maybe I'll choose your question next week. Thank you so much for your curiosity and if there's a way that I can help you please let me know.

How Can You Deal With Feeling Vulnerable? (Video Interview)

Bodypainting is an extraordinary art form. Using the human body as the canvas for painting allows for some unique possibilities that can really WOW people. In New York City, it is legal for a bodypainter to use nude models because of a law allowing nudity when it is done for artistic purposes. Within the past decade, bodypainting has surged in popularity in NYC, with there even being an official Bodypainting Day.

While the models that bodypainters work with may appear comfortable in their skin, it doesn't mean they didn't feel vulnerable at first. Recently, bodypaint model Dara Swisher spoke about how she deals with feeling vulnerable when being a bodypaint model, especially in such a public place like in the middle of Manhattan.

Dara thinks that one of the most transformative aspects of bodypainting is its ability to change how the models being painted see themselves. They may sometimes look at themselves in the mirror and have negative self-talk about how they look. Yet, when they get painted, they transform into someone else...they become art. Their vulnerabilities melt away thanks to them turning into a canvas, a sculpture. Being camouflaged with body paint, even if you are standing on a busy sidewalk, can be all it takes to shed vulnerability. You shift how you think your body should be. You see it from the perspective that it is a vehicle for art. You can use it to express things in an extraordinary way.

Being vulnerable transforms into feeling empowered. You can be practically naked in the middle of a big city and feel like you belong in the spot you are standing. Rather than hoping people look away and stop giving you attention, you welcome it and invite the gaze of others upon the art you are displaying with your body. Being bodypainted allows you to take control of the narrative and invite people to look at you.

Bodypainting is an incredibly liberating, empowering, and enriching experience. With it only becoming more popular, it's something you should consider being a part of, like Dara has, especially if you want to unlock your personal confidence and power.

Sexy Lingerie Bodypaint on New York Baker Tess Kaytmaz

this one tess small 226A7687 (1) (2).jpg

What hesitation did you have about purchasing the body paint service?

I guess, for me, it would be the price. Not that it's not worth every single dime, in value. It's just a matter of I am a bread baker, so every single penny counts. Honestly, there's only so many things you're going to get to do in life. That's what I told myself. How many options am I going to get to do something like this?

How many chances will I do that? If this woman is willing to let me pay off one month at a time, before we do it, then, you know what? At this point in life, it's worth it. I get to record myself in the prime. That was probably getting over that hump, justifying that to myself, was the first hesitation. Well, probably the only hesitation because after that, it was just like, "Yep, this is what I want."

What specific feature did like about getting body painted?

I hate bras. I hate bras so much. They are the bane of my existence. They've always been the bane of my existence.  My friend, literally, had to force me to go bra shopping. The last time I went bra shopping, like, literally, forced me into the store and had to talk to the sales associate. The sales associate still didn't listen to what I needed, still measured me wrong. I cried three times and tried to leave. She forced me to stay, and she went and found me bras.

I hate it so much that I haven't worn bras in almost three to four years because my boobs went down from DDD to D to C to B, then back up to C, then back up to D. It's like I'm not spending $60 on a bra to do all of that, but I love it I think it's gorgeous. I think it's beautiful. I think it's super sexy. The only time I do put on a bra is for five minutes, before I seduce a person and bring them home.

Usually, they're already coming to my home, but that's besides the point. Those are the only times that I ever wear it. I wanted to do a photo shoot, but one, I find I'm really uncomfortable. I don't think I'd be able to handle lasting a whole photo shoot with a bra one.

Two, underwear tends to cut me really weird because I've got wide hips and a high waist. They never make underwear to do that, so it always cuts me in a weird way that's really unflattering. I don't enjoy it.

I like the fact that I could do the shoot, sexy as possible, in lingerie, while not having to wear a bra, at any point in time. That it fit me, perfectly, as is, and I don't have weird effects. It's colors that match my skin tone. It's a design that works for me. I could never find the bra that she painted on me. I would never be able to find that for someone with my size boobs, ever. That just would not have happened. 

It would have been nude, if it was anything, because they only make nude bras for big... That's an issue. I don't wear nude bras. I wear lots of low-cut shirts, and they only make bras that cover your whole boob. They don't give me the cleavage I want.

If I do want the cleavage, then I have to buy padded bras that make my boobs two sizes bigger. I don't need them to be bigger. It's just kind of like, "Cool. What am I going to do?"

The fact that I could design, create every single aspect of this, that I could show Trina three different lingeries, saying, "I want the back, butt of this. I want the top part of this, and I want the bra of that" and she could just create that, yeah. So worth it. I have spent much more money on bras than I did on this, to get this shoot.

Would you recommend Trina? Why or why not

Yes. It's not like a "What if" question. I have been recommending her. I send her Instagram to so many people. I mean, I'm like, "Look. She not only does this boudoir stuff, but she, literally, paints people into scenery. This is a genuine artist, and you get to be part of a genuine artist's collection of things. How cool is that?" It's not just some random person. She's super respectful, super kind.

There was no awkward point in her painting me. We met for the first time. I got naked, and she started painting me, in 15 minutes.

There was no awkward part about it. It's really hard to find someone where you can actually feel that comfortable about it. I'm fairly comfortable with my body, but I'm still not getting naked in front of just anyone. That's the really good part and a reason why I'd recommend her. Also, she's just really funny, so you get to have a fun shoot. It's as if you're hanging out with your friends, so that's one reason. Those are some of the main reasons why I would recommend her. Her talent aside.

Why you choose to work with Trina

I said this, before. I'd been following her on Instagram for a bit. Her work is just really gorgeous. For two years, her work has stood out to me. One, to get through the noise of Instagram and be someone that you remember, that I never met her and didn't know her, just, we happened to start following each other.

Following her artwork, respecting her as a person, so in two years, with all the politics going on, I could still respect her and who she is. I could admire her artwork, see how she's evolved. Yeah, I'm going to give my money to this kind of woman.

In 2019, I decided that, if I was going to ever splurge or spend money on things, I was, one, going to try and find women-owned companies, small companies and people who, what they're doing is really based on their living. That's how I would spend my money because I'm an anti-capitalist.  And I think, after that time, it just made sense to me that, "You know what? This is something I want to do."

It's not unheard of for me to work with photographers and artists, just for the fun of it. It felt in tune to who I was. I was like, "Okay. We're going to do this, now."

Is there anything else you would like to add?

Hire her. She's awesome, and you won't regret it.

Unusual Marriage Proposal: Nude Bodypainting in Times Square (Video)

Young couples ‘white gloved’ motto to advocacy on full display in Time Square

Buffalo, New York: Vegan social media influencers get engaged while body painted in New York City to bring awareness to cardiovascular disease. Alex Miller had a near fatal diagnosis of a 99% blocked left anterior descending artery at the age of 32. After having a stent placed, the couple went fully vegan and publicly documented their journey online. In less than two years, the couple, Alex Miller and Brittany Kruse, became bloggers, social media influencers, wellness advocates, brand ambassadors and inspirations for any one that suffers from chronic illnesses or simply interested in improving their diet. This crazy ride has also captivated their hometown, Buffalo New York, which is ironically known as the chicken wing capital of the world. This goes to show that sometimes you need to stand alone to stand out and that they did!   

In the New Year, a plant-based meal prep company, Food Nerd, approached the couple. Owner of the company, Sharon Cryan, was moved by their story and challenged them to 31-days of all raw foods, supplying them with breakfast, lunch and dinner. The couple discovered quickly that a diet high in raw foods drastically improved their energy and appearance as seen in the before and after pictures below. On the last day of their challenge, the couple became a major piece within an intricate New York City based project called the “Self-Love Campaign” sponsored by Food Nerd. This project involves 12 social media influencers that will be artistically transformed by well-known artist, Trina Merry. This campaign aims to have the public take a hard look at themselves, inside out with spotlighting preventive measures and self-education. The artist, Trina, was tasked with articulating their story for cardiovascular disease awareness, emphasizing on Alex’s 99% blocked “widowmaker artery. 

The week leading up to the big day brought about several unwelcome surprises, the biggest was a polar vortex, a blizzard in Buffalo NY, canceling and delaying flights followed by recorded breaking arctic temperatures for New York State. Little did Brittany know amongst the artistically based chaos and commotion of Times Square, Alex made secret plans to propose. Alex couldn’t think of a better way to ask her to marry him then body painted in Times Square for the world to see and to show her how much she means to him. After getting painted and transported to Times Square, Trina wrote “Will you marry me” on Alex’s painted back. Once Brittany saw the question, Alex properly dropped to a knee and proposed. With dozens of spectators accumulating among all the commotion, Brittany put on the ring and said yes. Alex later was recorded on camera explaining to the filmmaker on scene, “She has been by my side and supported our drastic lifestyle change 100% and I wouldn’t be the man I am today without her. I couldn’t imagine a more expressive and poetic moment that encompasses our story and us as a couple.”

About Your Company:

White Gloved Vegan is a movement to break stereotypes associated with veganism and inspire others to adapt a plant-based lifestyle. The “white glove” signifies that a vegan can be a class act high standing individual and not be ridiculed for going against society norms.” After making their positive lifestyle change, the couple was surprised to find that people didn’t receive it as well as they thought they would. In fact, they received stereotypical comments about becoming hippies and eating grass. Being high-standing citizens with professional careers, these labels surprised and offended them and they became downright determined to alter this narrow-minded way of thinking. Alex and Brittany also felt it was their duty to create a platform that could publicly display their trials and tribulations in hopes of helping those who also struggle and with that White Gloved Vegan was born.

www.whiteglovedvegan.com

Please find pictures below.

 

Photographer: Trina Merry

Photographer: Trina Merry

Photographer: Trina Merry

Photographer: Trina Merry

Photographer: Trina Merry

Photographer: Trina Merry

Photographer: Trina Merry

Photographer: Trina Merry

Photographer: Trina Merry

Photographer: Trina Merry

Trina Merry's Awesome Illusion Bodypaintings on ABC/Disney

Trina Merry's Awesome Illusion Bodypaintings on ABC/Disney

Disney/ABC’s Localish released a feature on Trina Merry's optical illusion bodypaintings and did an interview with her.  They aim to highlight the good in American cities. Localish shared it with their 18M+ social fans across Disney/ABC’s TV stations. The video will run on ABC television, in NYC taxis, and in airports across the United States.

Read More

Behind the Scenes | Have you ever blended into a plane?

What if you could blend into a commercial plane with your frequent flier miles like this older English man? In this body-positive, age-inclusive series, Trina Merry blends seniors into environments around UK & London.  One painting blends a senior male into a commercial plane on-site at the "Top Gear" track airfield and another blends a senior female in London into a phone box and moving a double-decker bus.

This PSA campaign was created for Age UK to spread awareness about the ageism of the 65+ seniors who are economically invisible in the UK.  Older people are routinely overlooked by commercial organizations. Product developers and marketers target young people and ignore this older crowd who are, according to research, are not only a viable fiscal demographic but  Baby Boomers are currently the largest consumers for travel & travel insurance in the UK. 

To dramatize the campaign, we created a series of striking body camouflage images with older models blending into commercial backgrounds to convey that as a demographic they are overlooked by businesses and society as if they are invisible and fading into the background. Through this powerful imagery, we hope to bring the implicit age bias to the forefront of society, so that it can no longer be ignored.

The purpose of the shoot is to highlight society's obsession with youth.  Maitland/AMO conducted two sets of research to support this. One set investigated the age cohort of different consumers in different sectors.  The other set looked at who the marketeers target as their bullseye demographic. This research proved that businesses disproportionately target their products and services at young people, even though older people make up a significant consumer group with more disposable cash.  The conclusion is that older people are becoming economically invisible to businesses.

About Age UK:

Age UK is the country's largest charity dedicated to helping everyone make the most of later life. We provide companionship, advice and support for older people who need it most.  The over-60s is the fastest-growing group in society and there are more of us than ever before.

Ageing is not an illness, but it can be challenging. At Age UK we provide services and support at a national and local level to inspire, enable and support older people.  We stand up and speak for all those who have reached later life, and also protect the long-term interests of future generations. We tackle loneliness, get older people active, and support people to stay independent for longer.

About Maitland/AMO:

Europe's leading financial, corporate & political communications consultancy providing trusted advice and strategic counsel.  We have the depth of experience to provide you with trusted advice on any communication issue you might encounter, whether your organisation is facing a barrage of press criticism, planning an investor roadshow or wants to launch a campaign involving a key piece of Government policy.

We provide company leaders and the heads of major organisations with the communications strategy they need to win over the audiences that matter most to them. We then advocate tirelessly for our clients among crucial opinion formers in the financial community, the media and the political world.

TRINA MERRY’S “OBJECTIFIED” PERFORMANCE + EXHIBITION OPENED AT THE UNTITLED SPACE ON TRIBECA ART NIGHT

Trina-Merry-OBJECTIFIED-Performance-The-Untitled-Space-36-1170x600.jpg
View Gallery of 42 Images

“Objectified,” a performance and exhibition by renowned body painter Trina Merry, was on display November 14th-16th at The Untitled Space in New York. In these works, painted models acted as objects in sitting rooms. Some held flowers, acting as a vase, others held candles, wore lampshades, or held platters with cakes and candies.

On the 14th, viewers could enjoy a live performance as models posed with various objects to create new, impermanent scenes. Curling up on rugs or posing next to the couch, this performance invited the audience to engage with the subject matter more deeply. 

During the exhibition, Trina Merry also treated the audience to a peek behind the curtain of her process by painting models during the exhibit for all to see. Audiences rarely get to view the artist’s process live, so this was a truly unique experience.

In “Objectified,” Merry challenges viewers to consider the way that animate and inanimate objects work together to create a space. How much are we a part of our living spaces and why do we choose the objects that we do to inhabit these spaces? “Objectified” also explores ideas of consumerism, women’s rights, and identity in our current political climate.

Trina Merry is one of the top body painters of her generation. She has studied with the likes of Robert Wilson, Marina Abramovic, and Alex and Allyson Grey. Her work brings attention to stillness, silence, and space, using the organic and natural human form to juxtapose the hard lines in objects and architecture. 

Trina-Merry-OBJECTIFIED-Performance-The-Untitled-Space-3.jpg

Celebrated body paint artist Trina Merry presented her powerful exhibit and live performance “Objectified”  on November 14th at The Untitled Space. The exhibition (on view through November 16th) and performance was curated by gallery director Indira Cesarine and the opening coincided with Tribeca Art + Culture Night. Throughout the night, models covered head-to-toe in body paint enthralled the audience by posing with lampshades, cakes, and candles, as music played throughout the night, seamlessly communicating the artist’s statement. Visitors could watch as Merry painted the models, giving the public a rare glimpse at how an artist works.

The addition of the live performance added to the excitement of the evening. Guests were in awe of the models’ ability to contort themselves into tricky and unique positions. Everyone was appreciative of the chance to interact with the exhibit in a more impressionable way than just engaging with photographs on the wall, it brought the artists work literally to life. Wine and chocolates were served throughout the evening.

This year was the 12th edition of Tribeca Art + Culture Night, with 20 different venues putting on exhibitions, workshops, live performances, and talks. Over 200 artists and more than ten exclusive events were on view.

“Objectified,” a performance and exhibition by renowned body painter Trina Merry, was on display November 14th-16th at The Untitled Space in New York. In these works, painted models acted as objects in sitting rooms. Some held flowers, acting as a vase, others held candles, wore lampshades, or held platters with cakes and candies.

On the 14th, viewers could enjoy a live performance as models posed with various objects to create new, impermanent scenes. Curling up on rugs or posing next to the couch, this performance invited the audience to engage with the subject matter more deeply. 

During the exhibition, Trina Merry also treated the audience to a peek behind the curtain of her process by painting models during the exhibit for all to see. Audiences rarely get to view the artist’s process live, so this was a truly unique experience.

In “Objectified,” Merry challenges viewers to consider the way that animate and inanimate objects work together to create a space. How much are we a part of our living spaces and why do we choose the objects that we do to inhabit these spaces? “Objectified” also explores ideas of consumerism, women’s rights, and identity in our current political climate.

Trina Merry is one of the top body painters of her generation. She has studied with the likes of Robert Wilson, Marina Abramovic, and Alex and Allyson Grey. Her work brings attention to stillness, silence, and space, using the organic and natural human form to juxtapose the hard lines in objects and architecture. 

Trina-Merry-OBJECTIFIED-Performance-The-Untitled-Space-13.jpg

Artist statement on “Objectified” Exhibit and Performance:“Do the living spaces that surround us own us, or do we own them? My Objectified series poses these questions and allows viewers to come up with answers by creating a conversation within the self. What is all this stuff in my living space, and why do I choose these material items? There seems to be a sort of cohesive relationship built between animate and inanimate objects in the home. We want to entice you to explore four powerful examples of common living spaces that will come alive through human models fashioned with body paint.

About 14 years ago, I was accused by a conservative friend of objectifying women in my artwork. Since I collaborate with consenting (often enthusiastic) models & performers, I laughed and thought I’d delve deeper into the phrase “Objectified” and the domestic expectations that were being placed on me, questioning consumerism and identity. Now, at nearly 40 and having grown past many of these societal pressures, I revisit this series within the context of our current political climate to examine the historical female nude within the context of art history, issues of consent, laws that remove the freedom of choice women have over their own bodies, and social media censorship.”

Trina-Merry-OBJECTIFIED-Performance-The-Untitled-Space-6.jpg

Trina Merry is a leading body painter in a generation that emerged in the wake of the influence of Yves Klein, Yayoi Kusama, and Verushka. Merry studied with Robert Wilson and Marina Abramovic as a Watermill Center summer resident, creating five living bodypaint installations on site. There she absorbed their unique attention to space, silence in stillness and transported these applications in her work to the chaotic neon streets of New York and subsequently, the world. She has also studied with Alex and Allyson Grey on “Visionary Art and the Light Body”. She has crafted her own visual and conceptual vocabulary that emerged through her focus on the points of juxtaposition between the organic human form and the phallic hard lines of architecture.

Merry has performed and exhibited at The Whitney Biennial, Getty Villa, San Jose Museum of Art (with Andy Goldsworthy), Attleboro Arts Museum, ESMoA, Museo De Bardini (Florence), Edward Hopper House, Red Dot Miami, Superfine! Art Fair, Satellite Art Show, WORKS San Jose & SOMArts alongside the Guerilla Girls. Merry currently lives in New York City has a BFA in film.

  • Event photography by Mikhail Torich and The Untitled Space